Derivative elements from non-Western musical cultures utilized in the music of George Crumb

by John W. White

Written in English
Published: Pages: 80 Downloads: 259
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Subjects:

  • Crumb, George.

Edition Notes

Statementby John W. White.
The Physical Object
Paginationvi, 80 leaves :
Number of Pages80
ID Numbers
Open LibraryOL22356439M

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Derivative elements from non-Western musical cultures utilized in the music of George Crumb by John W. White Download PDF EPUB FB2

WHITE, John W. "Derivative elements from non-Western musical cultures utilized in the music of George Crumb." M.M. thesis. Ithaca College, YOSHIDA, Kikuko. "A Study of George Crumb: Music Based on Poetic Images." Masters thesis. Tokyo Geijutsu Daigaku (Tokyo National University of Fine Arts and Music), Interviews.

CRUMB, George. A 'read' is counted each time someone views a publication summary (such as the title, abstract, and list of authors), clicks on a figure, or views or downloads the : Maya Mathew.

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The details of my career at the Voice, acknowledgements of the people I worked with there, my decision in the late ‘70s to write more about non-Western music and less about minimalism, my gradual disillusion with New York, my shift to a life in Europe, and the gradual termination of my career as a music critic, are all summarized in the We have known for a long time that all human languages can convey the same kinds of ideas.

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The romantization of ethnic cultures: The danger of the romanticization of cultures arises when cultural revivalists adopt an overly protective stance and ignore obvious cases of contestation.

The agenda for taking such a radical stance is to deny the possibility for the sharing of values and practices among cultures. 6. White, John H. “Derivative Elements From Non-Western Musical Cultures Utilized in the Music of George Crumb”, Master´s thesis, Ithaca College, Tesis sobre el uso de elementos musicales en varias obras, entre ellas SDRD.

La tesis hace especial atención en la manipulación tímbrica, el uso de silabas neutras y en formas musicales.Hindu music. Crumb's interest in non-Western music, particu-2 larly that of India, has been documented. Makrokosmos ^ - 1 begins with a succession of seven. minor triads. Following a glissando and seven second.

fermata, the opening succession is answered with another group. of seven triads, creating a grouping of three parts, each.the cambridge history of MUSIC The Cambridge History of Music comprises a group of reference works concerned with significant strands of musical scholarship.

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